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"When working on a project that involves both animation and voice work, what is the recommended order to complete these tasks: animation first or voice work first?"

In most animation projects, it's recommended to complete the voice work first, as it allows animators to precisely match the animation to the dialogue, creating a more natural and synchronized performance.

Having a solid voice recording helps guide the pacing, tone, and emotional cues for the animation, making it easier for animators to create a cohesive final product.

Recording voiceovers before editing visuals helps fit the clips according to the voiceover, avoiding unnecessary rework and ensuring a smoother animation process.

In some studios, an animatic (a roughly animated storyboard) is created before the audio, while in others, the audio is done first, as seen in the production process of Family Guy and American Dad.

Recording voiceovers before animation allows voice actors to improvise and get into character, creating a more authentic performance.

Having a roadmap for the animation's timing, rhythm, and flow helps animators create a more cohesive and natural-looking animation.

In some cases, animators find it easier to work with a pre-existing voice track, as it provides a clear guide for the animation's pacing and tone.

Recording voiceovers before animation also helps to avoid unnecessary rework, as changes to the animation are often required when the voice acting doesn't quite match the original plan.

When writing scripts for animated videos, it's essential to consider the timing and pacing of the video, as a voiceover artist can only read so fast while maintaining clarity.

Voiceovers bring life and evoke emotion to animation, making them a vital component of the animation process.

Even technology giants have recognized the importance of voiceovers, creating synthetic computer-generated voices to mimic the power of human voices.

Voice actors must anticipate the performances they are interacting with, including timing, blocking, and gags, making their role crucial in the upfront "editing" of a voice-over project.

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