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7 Essential Voice Recording Tips for Self-Published Audiobook Narrators in 2024

7 Essential Voice Recording Tips for Self-Published Audiobook Narrators in 2024 - Sound Treatment First Build Your Home Recording Booth With Proper Acoustic Material

Before you even think about recording your audiobook narration, the quality of your recording space is the foundation for a professional-sounding product. Building a home recording booth isn't about fancy equipment, it's about taming the sound within your space. Acoustic materials, like foam panels and bass traps, become your tools in shaping how sound behaves. Their purpose? To capture your voice as purely as possible, free of unwanted echoes and reverberations that muddle the clarity.

Think about it this way: each sound wave you produce in your space bounces around, creating multiple reflections that can interfere with the desired sound. The right acoustic treatment aims to manage this, capturing your voice directly and minimizing distracting echoes. This involves understanding how sound travels in your specific room. Each room has its own acoustic fingerprint, and effective sound treatment needs to consider the unique characteristics of your setup.

Controlling those pesky bass frequencies is crucial. Bass traps help absorb and manage low-frequency sounds, ensuring a balanced sound that doesn't overwhelm the recording. It's all about finding that balance between absorption and reflection to optimize your recording environment. While a professional studio might have complex setups, there are many affordable options for the home recording enthusiast. The goal, regardless of budget, is to create a space where your voice is prominent and professional. When you prioritize sound treatment, you elevate your audio, lending a degree of polish to your audiobook projects that otherwise might be missing.

Before diving into the recording process, the foundation of a good audio experience lies in the design of your recording space. It's about meticulously crafting an environment where the voice can be captured with the utmost clarity and accuracy. A recording booth, especially for voice work like audiobooks or voice cloning, requires a nuanced understanding of sound behavior.

The human voice, with its complex frequency range, presents a challenge. It's not just about eliminating noise; it's about creating a space that treats sound evenly across the audible spectrum, including those lower frequencies. While acoustic foam is a common and accessible sound absorption material, its limitations are notable at the lower end of the spectrum. This underscores the need for incorporating bass traps, which specifically target these frequencies, and prevent undesirable resonances from muddying the voice recording.

Ideally, a voice recording booth should be "dead," which translates to a short reverberation time, generally less than half a second. This desired characteristic is achievable by strategically placing sound absorption materials, controlling reflections and echoes. Importantly, while sound isolation and absorption are sometimes conflated, they serve separate purposes. Isolation aims to prevent external sounds from interfering and stops sounds from escaping, while absorption targets the reduction of echoes and reflections within the recording space. Both are crucial to consider.

The geometry of the space and the materials used are paramount in influencing sound. Angling acoustic panels, for example, is often preferable to just flat panels, as they can break up and disperse sound more effectively, combating flutter echoes. Likewise, thinking about the structure of walls is also crucial as thicker walls can attenuate noise more effectively. It is this level of design and awareness of sound physics that's important for a well-built recording booth.

While achieving optimal results sometimes suggests using the latest technology or advanced techniques, a cost-effective approach is often possible. Through thoughtful planning, readily available materials such as thick blankets and carpets can surprisingly work well, even offering more sound damping than you might expect. You can create effective acoustic treatment without necessarily needing high-priced materials.

Moreover, the shape of a room itself can play a role in sound management. Irregular shapes and curves can be more beneficial than strictly rectangular designs because they can reduce the chances of problematic standing wave issues.

Ultimately, the goal of sound treatment, as it relates to audiobook narration, voice cloning or podcast production, is to capture the sound as accurately as possible. In voice cloning, having a recording space with a consistent frequency response, where frequencies are presented uniformly, makes it easier for the voice cloning software to "learn" the characteristics of the voice. This leads to better quality clones and voice production work, which is particularly relevant in a field where the accuracy and authenticity of the voice are essential.

7 Essential Voice Recording Tips for Self-Published Audiobook Narrators in 2024 - Master The Art of Noise Reduction Through Strategic Microphone Placement

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Optimizing microphone placement is a critical skill for audiobook narrators aiming for professional-quality recordings. The distance between your mouth and the microphone is crucial: a distance of roughly 4-6 inches is often a good starting point, balancing clarity with the natural warmth of your voice. This is especially true when using condenser microphones, which are sensitive to subtle variations in sound. Furthermore, tilting the microphone slightly upwards and towards the front of your mouth can significantly minimize plosive sounds (those abrupt bursts of air from certain consonants). This also helps capture the delicate nuances of your voice, resulting in a richer and more engaging audiobook experience.

Understanding the "proximity effect" — the way in which close microphone placement enhances low-frequency sounds — can also benefit your recording. Utilizing this effect can add a greater sense of depth to your voice, particularly if your voice naturally lacks a full, rich tone. It's about finding that sweet spot where your voice is clear and present without distortion or unwanted low-end emphasis.

Beyond initial placement, continuous adjustments are vital. Testing and fine-tuning your microphone settings are essential to ensure consistent recording quality and minimize the intrusion of distracting background noise. This iterative process might seem tedious, but it pays off in a more polished and professional audiobook. You'll gain a more thorough understanding of how the microphone responds to your specific voice and environment, leading to smoother and more controlled recordings over time.

Achieving a clean, noise-free audio recording hinges heavily on how you position your microphone. Placing the microphone too far from the mouth can lead to a noticeable drop in audio quality due to the inverse square law – the further you are, the more sound energy is lost. Conversely, getting too close can emphasize low frequencies, resulting in a "boomy" sound and, if too close, audio distortion. This is the proximity effect, which highlights the importance of finding that sweet spot.

While the proximity effect can be helpful to add warmth, experimenting with distance is key. Ideally, 4-6 inches seems to be a good starting point for many. But this can also vary based on microphone type. For instance, capturing the raw emotion and nuances in a vocal performance might call for a condenser mic slightly above and angled towards the voice, minimizing sudden bursts of air (plosives) that can occur with words like “pop”. Consider the angle and orientation too; tilting the microphone slightly can prevent reflections from surfaces nearby.

The type of microphone also matters. Omnidirectional microphones pick up sounds from all directions, which can increase background noise, while directional mics limit the pickup area. For voice work, you likely want to utilize a cardioid or supercardioid pattern to focus on the intended voice signal and minimize unwanted sound sources.

Beyond simple placement, the use of accessories like a microphone shock mount can be beneficial. Shock mounts decouple vibrations, preventing unintentional noises from shaking the microphone during the recording, and ensure your signal remains consistent. Moreover, in humid environments, the absorption properties of materials can change, potentially affecting the recording.

There are other considerations, like plosive sounds. Using a pop filter, a barrier placed a few inches from the mic, helps filter these unwanted noises. You can also explore how reflecting surfaces near the microphone can shape the sound. Using a music stand to guide some sound waves toward the microphone could be a simple yet effective way to balance audio without overworking your voice.

Finally, remember that each room has a unique sonic character, influencing how microphones capture sound. Corners can create a buildup of low frequencies due to reflections, making experimentation with microphone placement critical to achieve the desired recording quality. Consistent testing and fine-tuning are part of the process for finding the optimal microphone setup in your particular recording environment. It’s all about mastering the interplay of microphone type, position, and the acoustics of the space to capture the essence of your voice with the least amount of noise and unwanted sound artifacts.

7 Essential Voice Recording Tips for Self-Published Audiobook Narrators in 2024 - Practice Voice Warm-ups And Breathing Techniques Before Each Session

Before diving into audiobook narration sessions, it's essential to prepare your voice for optimal performance. This means incorporating voice warm-ups and breathing exercises into your routine. Deep breathing, focused on utilizing your diaphragm, is key to increasing lung capacity and achieving greater breath control. This foundational element impacts your ability to deliver lines with clarity and power.

Simple warm-up techniques, like humming or practicing lip trills and other vocal exercises, help to gently awaken and prepare your vocal cords for the task ahead. These exercises can help prevent strain and improve breath control. It's advisable to allocate at least ten minutes before each recording session to these warm-ups. Doing so not only enhances vocal performance but also contributes to a smoother and more professional end product.

Prioritizing vocal health through these pre-recording practices isn't just about improving vocal quality; it builds confidence and ensures you're in top form for delivering a compelling audio experience. Think of these warm-ups as the necessary tuning process before your voice becomes the instrument for bringing the story to life.

Preparing your voice for a recording session is akin to preparing any other instrument for performance—it requires a warm-up. Engaging in vocal warm-ups and breathing exercises before each recording session is crucial for maintaining vocal health and achieving optimal performance quality. Think of it like this: the vocal cords, much like muscles, need to be gradually prepared for the demands of extended speaking or voice acting. Rushing into a recording session without a proper warm-up can lead to strain and potentially vocal fatigue.

Focusing on diaphragmatic breathing techniques is essential. Instead of relying on shallow chest breathing, which can lead to vocal strain, the diaphragm should be engaged to expand lung capacity for sustained airflow. This controlled breathing is fundamental for managing breath support during longer passages or complex narrations, which is vital for smooth and natural-sounding delivery in audiobooks.

Gentle exercises like humming are remarkably effective for waking up the vocal cords. Humming allows for gentle vibration and improved breath control, helping to loosen the vocal folds and improve their flexibility. These exercises can be coupled with body warm-ups, such as light cardio, which helps increase blood flow and prepares the body for vocal exercises.

A well-structured warm-up routine should typically last around ten minutes or more. It is a valuable element of a daily routine, particularly before major recording sessions. Vocal techniques like lip trills and exercises focused on descending on nasal consonants contribute to relaxing the vocal cords and improving airflow. These techniques are vital for achieving the controlled delivery expected of a polished audiobook performance.

Throughout the warm-up process, maintaining a relaxed jaw and steady breath flow is crucial. A relaxed jaw contributes to a smoother and more natural sound, while a steady breath promotes a consistent volume and avoids fluctuations that can disrupt the listening experience. Ultimately, consistent vocal warm-ups can prevent strain, improve overall vocal health, and improve performance quality, ensuring you consistently deliver your best work during sessions.

While it's possible to learn many of these techniques independently, it might be beneficial to work with a voice coach. A vocal professional can provide personalized guidance on techniques, proper vocal muscle care, and optimal vocal practices, which can be especially useful for audiobook narration, where nuances in expression and tone play a significant role. Even more critically, incorporating effective warm-up exercises into any routine, especially when performing voice cloning work where consistent voice delivery is essential, can lead to optimized vocal health and performance outcomes. In the realm of voice cloning, the goal is to reproduce a voice with the highest accuracy. Consistent voice delivery throughout a long recording is made possible with regular vocal warm-ups.

7 Essential Voice Recording Tips for Self-Published Audiobook Narrators in 2024 - Record Multiple Takes of The Same Chapter For Better Post-Production Options

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Capturing multiple takes of the same chapter provides audiobook narrators with valuable options during the post-production phase. This approach allows for a careful selection of the best performances from various recordings, ultimately contributing to a polished final audio product. While maintaining consistency in your vocal delivery throughout a chapter is crucial, recording the entire chapter in one session helps avoid variations that can arise when recording on different days, especially when it comes to energy and tone. Many audio editing tools, like digital audio workstations (DAWs), have features that allow you to combine the strongest parts from multiple takes, a process known as comping. This ability to fine-tune your narration by using the best parts from various attempts is a boon, allowing you to create a seamless and engaging audiobook experience. This technique not only enhances the technical aspects of the audio but also provides more depth and versatility to the performance, leading to a more captivating narrative.

Capturing multiple takes of the same chapter offers a significant advantage in the post-production phase, allowing the narrator to cherry-pick the best segments from various recordings. This approach enables the creation of a more polished and refined audiobook, where the overall tone and pacing align seamlessly with the intended narrative.

It's fascinating to observe that even subtle variations in vocal delivery, like changes in pitch or intonation, can significantly impact the listening experience. Recording multiple takes helps capture this inherent dynamism of the human voice, resulting in a richer and more immersive audio experience for the listener. It seems to add a layer of depth that might be hard to attain with a single take.

Interestingly, this strategy of multiple takes can sometimes paradoxically reduce overall editing time. Rather than spending hours meticulously trying to edit and refine a single recording, the editor can quickly select and blend the best parts from a variety of takes. This streamlined approach offers an efficient path to a polished audiobook.

While some audio artifacts like pops and hisses can occur during recording due to mic placement or environmental influences, using multiple takes gives us the flexibility to choose only the cleanest sections. This improves the overall sonic quality, eliminating potential distractions.

It appears that repeated takes can, in many instances, actually lead to a better performance due to increased comfort and confidence. The first few takes often focus on establishing the right emotional tone and delivery, while subsequent attempts seem to capture the narrator at their best, as if their performance becomes more fluid and natural.

In voice cloning applications, having multiple takes to feed the algorithms creates a more comprehensive dataset. This increased data variety could enhance the accuracy of the cloned voice, allowing the software to better understand the intricate nuances of expression and tonality.

Human voices can undergo subtle, yet discernible, changes even within a short recording session, often due to vocal fatigue or strain. Recording multiple takes helps address these variations by giving the editor the ability to select and compile the best audio segments, maintaining consistency in vocal quality throughout the audiobook.

Exploring different emotional interpretations within multiple takes adds a new layer of depth to the storytelling. This technique might reveal hidden emotional nuances that may not be immediately apparent in a single performance, making the narrative more resonant with the listener.

Maintaining consistency in a long-form audiobook can be challenging as the voice can evolve over multiple recording sessions. Fortunately, by employing multiple takes, the editor can achieve a higher degree of consistency in vocal characteristics, fostering better immersion for the listener.

Encouraging narrators to experiment with multiple takes allows for greater creative freedom. This liberty to explore different interpretations or stylistic approaches could lead to unexpected yet compelling narrative variations, enhancing the final audio product. This adds a level of dynamism that can only be achieved when recording multiple takes, which is not attainable with just one.

7 Essential Voice Recording Tips for Self-Published Audiobook Narrators in 2024 - Use Industry Standard DAWs Like Audacity or Adobe Audition For Clean Editing

Producing high-quality audiobooks necessitates the use of robust audio editing software. Digital Audio Workstations (DAWs), such as Audacity and Adobe Audition, are industry standards that offer a range of tools crucial for achieving professional results. Audacity, a free and open-source option, provides a valuable starting point for those seeking affordable tools, including a spectrogram that helps visualize and remove unwanted noise from recordings. Adobe Audition, on the other hand, is a more comprehensive paid program preferred by many professionals because of its advanced editing capabilities. These DAWs are key to cleaning up and refining audio, removing unwanted sounds, and preparing the recordings for publication, a critical step in audiobook production that ensures a polished and refined listening experience. While free and paid options both exist, the right choice often depends on the narrators' needs and budget, but mastering these editing tools is essential for aspiring audiobook narrators in the increasingly competitive audio landscape.

Leveraging industry-standard Digital Audio Workstations (DAWs) like Audacity or Adobe Audition for meticulous editing is essential for producing high-quality audiobooks. These tools offer a level of control and precision that surpasses traditional methods, making them invaluable for aspiring and professional audiobook narrators.

Firstly, DAWs offer non-destructive editing, which means you can experiment with alterations without permanently affecting the original recordings. This is beneficial because you can freely apply effects, trim audio segments, and rearrange elements while preserving the untouched source files. It is imperative that the raw voice work remains unaltered in the event of needing to start over, so this non-destructive capability is crucial in voice cloning projects.

Beyond basic editing, DAWs incorporate sophisticated noise reduction algorithms. These algorithms analyze background noise patterns, enabling you to selectively eliminate unwanted sounds while maintaining the clarity of the voice. Mastering these tools is fundamental in removing distracting background noises in your audiobooks and for removing unwanted elements that often show up with a voice-cloned sample.

DAWs also visualize audio through waveforms, providing a visual representation of sound energy and frequency. This visual aid assists narrators in identifying potential issues, such as high volume peaks or silent gaps within the recording, allowing them to make informed edits for a smoother audiobook.

Furthermore, DAWs enable multi-track recording, allowing narrators to blend multiple audio elements like background music, sound effects, and different vocal takes seamlessly into one coherent audio track. This multi-track capability is very useful in podcast production and can elevate your audiobook's listener experience.

DAWs excel in offering precise edits, down to the frame or sample level. This granularity eliminates unwanted audio artifacts, improves timing accuracy, and creates a seamless transition between sections, critical for maintaining an immersive audiobook experience.

DAWs also allow for real-time effects processing, which means you can listen to changes as you apply effects such as compression, equalization, and reverb. This provides instantaneous feedback and enables narrators to adjust effects on the fly based on the immediate impact on sound quality.

Moreover, many DAWs include a robust set of audio restoration tools designed to repair issues like clipping, unwanted hums, or wind noise. These tools can help breathe life back into a recording that might have been previously unusable, improving the overall polish of the audiobook and reaching professional standards.

DAWs often include automation features, empowering audio engineers to set dynamic changes in audio parameters over time, such as volume or panning adjustments. This capacity can add a layer of expressiveness to narration, enhancing emotional impact and engagement. The automated controls are an important feature when working with complex sound design needed for creating voice-cloned material.

For audiobooks with numerous chapters, software like Adobe Audition features batch processing. This allows narrators to apply the same alterations, like noise reduction or audio normalization, to multiple files concurrently. This streamlines the editing process, significantly reducing time spent on repetitive tasks.

Finally, both Audacity and Adobe Audition benefit from active communities and readily available tutorials covering advanced editing methods. These resources are readily available and help narrators continually develop their expertise in sound production, vital for competitiveness in the ever-changing audiobook space. It is important to keep in mind that voice cloning technology is still relatively new. By working with leading-edge DAWs, you can quickly adapt your skills to the new tools that will be developed and improved in the months and years to come.

7 Essential Voice Recording Tips for Self-Published Audiobook Narrators in 2024 - Implement Consistent Volume Levels Through Audio Compression

Maintaining consistent volume throughout an audiobook is essential, and audio compression is a valuable tool for achieving this. It acts as a balancing act, smoothing out the peaks and valleys in your voice's natural volume fluctuations, which can be distracting to the listener. Finding the right balance when setting the compression threshold is key. Aim for a range between -20 dB and -10 dB, which usually allows capture of expressive nuances while retaining softer aspects of your voice.

It's important to avoid overdoing compression, though. While it can be tempting to squash all volume variations, going overboard can make your voice sound dull and lifeless, removing the natural ebb and flow of speech. A good rule of thumb is to use a compression ratio between 2:1 and 4:1. This range generally helps smooth out the volume without removing the inherent character of your voice.

Essentially, the goal of compression in audiobook production is to achieve a professional-sounding result without sacrificing the authenticity of the voice performance. You want listeners to be immersed in your story, not distracted by drastic changes in volume. By finding a middle ground in compression settings, audiobook narrators can create a more engaging and enjoyable experience for their listeners.

Implementing consistent volume levels is a crucial aspect of audiobook production, and audio compression serves as a valuable tool in achieving this goal. The primary function of compression isn't just to reduce loud sounds, but also to elevate the softer parts of the audio signal. This creates a more level playing field across the whole recording, reducing those jarring jumps in volume that can distract the listener.

The efficacy of compression relies heavily on two key settings: threshold and ratio. The threshold determines the point at which compression begins to take effect. The ratio controls how much the audio is attenuated when it exceeds the threshold. For example, a 4:1 ratio means that for every 4 dB increase above the threshold, only a 1 dB increase will be present in the output signal. Carefully adjusting these settings is essential to ensure that the natural character of the voice isn't unduly altered.

One issue to be mindful of is over-compression. Excessively compressing audio can introduce an effect known as “pumping” where the volume fluctuates noticeably. This can create an unwanted rhythmic quality that detracts from the listening experience, potentially breaking the narrative flow and overall immersion.

Often, after applying compression, audio engineers employ makeup gain to restore the volume that might have been lost. This step ensures that even after reducing the overall dynamic range, the final output volume stays consistent and within a comfortable listening range. It's interesting to note that compression's impact can also be seen in the frequency response of the audio. Compression may cause certain frequencies to be more or less emphasized, leading to alterations in tone and timbre.

There are various types of compressors, each responding differently to the input audio. Some compressors are lightning-fast in their response, ideal for handling rapid changes in transient sounds, while others are designed to respond more slowly, delivering a smoother sound overall. The selection of the right compressor type and settings often needs to be fine-tuned for different voices to achieve the desired result.

In the world of audiobooks, platforms like Audible and iTunes often have specific loudness standards (measured in LUFS) that audiobooks must adhere to. Mastering compression to meet these standards becomes crucial to ensure audiobooks sound consistent and appealing across platforms.

Compression can be employed both during the recording process (real-time) and during the post-production phase (offline). Real-time compression gives the engineer immediate feedback and allows for on-the-fly adjustments, while offline processing grants greater freedom for meticulous tweaking.

A very interesting feature is the use of sidechain compression. It allows for scenarios where a voice might compete with background noise or sound effects. The compressor dynamically reacts to another track's levels, ensuring the clarity and intelligibility of the voice. This technique is especially useful for creating a clean and immersive experience in complex productions.

Finally, to fully grasp the effects of audio compression, the use of quality monitoring equipment (like headphones or studio monitors) is crucial. Improper listening conditions can create a deceptive impression of volume and sonic quality, potentially resulting in a less-than-ideal final audio product. Ultimately, monitoring throughout the entire compression process is an essential step in crafting a polished and immersive audiobook that provides an enjoyable and engaging listen.

7 Essential Voice Recording Tips for Self-Published Audiobook Narrators in 2024 - Maintain Proper Distance From The Microphone Throughout Recording Sessions

The distance you maintain from the microphone throughout your audiobook recording is vital for achieving professional audio. Finding the right balance is key – too close and your voice can become distorted, particularly with sensitive condenser mics; too far and the clarity of your voice fades. A good starting point is roughly 6 to 12 inches from the mic, positioning it so the diaphragm is aligned with your mouth. This ensures optimal capture of your voice's natural dynamics without introducing unwanted distortion.

It's crucial to maintain a consistent distance during your recordings. If you shift closer or further from the mic, the volume levels of your audio can fluctuate, resulting in a less polished and professional sound. Consistency is paramount to ensure a smooth listening experience for your audience. Your microphone placement ultimately contributes significantly to the overall quality of your audiobook's sound, adding to its professionalism and enhancing the listening experience for the end user.

Maintaining the correct distance from the microphone during recording sessions is a nuanced aspect of sound production, especially when aiming for professional-quality audiobooks. Let's explore some observations related to this crucial element.

Firstly, the inverse square law dictates that sound intensity decreases rapidly as distance from the source increases. This means that doubling your distance from the microphone can result in a significant drop in volume, highlighting the need for close proximity to capture the full dynamics of your voice, especially the delicate nuances.

The proximity effect, a phenomenon where closer microphone placement enhances lower frequencies, can add warmth and depth to the sound. However, if not managed carefully, this can lead to an overly boomy or muddy sound, particularly when using condenser microphones that are more sensitive to these frequencies.

Generally, a range of about 4-6 inches appears to be a good starting point for many condenser microphones, allowing for a balance of vocal clarity and richness. Going beyond this ideal distance can lead to a loss of detail and sonic characteristics, whereas being too close can accentuate unwanted low-frequency artifacts.

Distance impacts how sound interacts with the room's acoustics. Recording too far away can introduce more reflections from surrounding surfaces like walls and furniture, potentially leading to a less clean and focused sound.

Furthermore, proximity plays a role in managing plosive sounds. Getting too close can exacerbate those bursts of air from consonants like "p" and "b," which often require additional post-production cleanup. A more strategic distance helps minimize this and potentially reduces editing efforts.

The type of microphone also comes into play. Dynamic microphones, while more robust, may be more sensitive to distance fluctuations. Finding the optimal position helps ensure vocals are captured without distortion.

Consistency throughout a session is essential. Variable distances create inconsistency in tone and volume, making editing a challenge. Maintaining a consistent distance produces more uniform results and reduces the amount of work in the editing process.

Beyond distance, the acoustics of your space influence how proximity affects the final recording. The dimensions of the room, the presence of surfaces, and the material used within your recording environment affect the interplay of frequencies, and distance alters how those interactions play out in the recording.

When utilizing wireless microphones, the importance of consistent distance increases, as the signal can degrade over greater ranges or suffer interference. Staying closer helps maintain a strong signal and better audio quality.

Ultimately, listening to your recording in real-time during the session can be incredibly helpful. Headphones offer a direct pathway to your recording, providing instant feedback that allows for subtle adjustments in microphone distance as you narrate. This real-time feedback gives you a sense of how adjustments impact the overall audio experience.

The relationship between microphone placement and sound quality is interconnected and intricate. By carefully considering these aspects, narrators can achieve a more polished recording, benefiting from the greater control and consistency that proper distance provides, contributing to the technical artistry of voice work for audiobooks or any voice cloning project.



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