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What are the key differences between sm57 and sm58 microphones for YouTube video voiceovers, and which one would be better for beginners?
The SM57 has a slightly wider frequency response, ranging from 40Hz to 15kHz, while the SM58's range is from 50Hz to 15kHz, making the SM57 more versatile for recording vocals and instruments.
The SM58's glossy grille acts as a pop filter, reducing plosives and wind noise, making it better suited for vocal use.
The SM57 and SM58 are highly durable and can handle high sound pressure levels, making them ideal for live performances and recording.
The SM57 has a low-end cutoff of 40Hz, while the SM58 has a cutoff at 50Hz, which affects the frequencies picked up by the microphone.
The SM58's windscreen reduces wind noise, making it more suitable for capturing clear vocals directly.
The SM57 and SM58 are almost identical, with the main difference being the grille design, where the SM58 has a ball grille with a built-in pop filter.
The SM57 has a higher impedance (310 ohms) compared to the SM58 (300 ohms), which affects the microphone's sensitivity.
The SM58 is 15% more sensitive than the SM57, which affects the microphone's ability to pick up sound waves.
The SM57 is designed as an instrument microphone, while the SM58 is designed for vocal applications.
The SM58's pop filter reduces the impact of plosives, which are consonants like 'p' and 't' that can cause loud bursts of air.
The frequency response of the SM57 is more suitable for instruments, while the SM58's response is more suitable for vocals.
Both microphones can handle high sound pressure levels, making them suitable for loud instruments and vocal performances.
The SM57 has a smaller grille size compared to the SM58, making it more practical for instrument recording.
The SM58 is slightly heavier, wider, and longer than the SM57, which may affect handling and storage.
Both microphones are dynamic microphones, which means they can handle high sound pressure levels and are less prone to feedback compared to condenser microphones.
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